Pat metheny group* pat metheny formatie 80/81 - two folksongs (tune koot & bie) - Pat Metheny Group - Wikipedia


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Despite the common description of Metheny's music as "fusion," it was always his intention [ citation needed ] to create improvised music that had a greater emphasis on bringing out harmony than anything common to what was called "fusion" of the time. Pastorius, with whom Metheny struck up a friendship while the two attended the University of Miami and later toured in Joni Mitchell 's backing band during her transition from her earlier folk rock compositions to those with more jazz influence, had at the same time explored melodic lines for his instrument within the melodies normally heard, rather than just providing a simple bassline, revolutionizing the way the bass guitar was viewed by the musical establishment [ citation needed ] . The two friends would talk into the late evening during the early 1970s and discuss the new possibilities their instruments held. [ citation needed ]

Metheny was born and raised in Lee's Summit , Missouri. His father played trumpet, his mother sang, and his maternal grandfather was a professional trumpeter. Metheny's first instrument was trumpet, which he was taught by his brother, Mike . His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen , but they had little respect for guitar. Metheny's interest in guitar increased around 1964 when the Beatles performed on TV. For his twelfth birthday, his parents allowed him to buy a guitar, which was a Gibson ES-140 3/4. [3]


Pat Metheny Group* Pat Metheny Formatie 80/81 - Two Folksongs (Tune Koot & Bie)Pat Metheny Group* Pat Metheny Formatie 80/81 - Two Folksongs (Tune Koot & Bie)Pat Metheny Group* Pat Metheny Formatie 80/81 - Two Folksongs (Tune Koot & Bie)Pat Metheny Group* Pat Metheny Formatie 80/81 - Two Folksongs (Tune Koot & Bie)

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